White Seamless Doesn’t Have to Be Plain or Boring

Morton Visuals Tips, TrainingWhite Seamless Doesn’t Have to Be Plain or Boring
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Morton Visuals photographs fashion models on white seamless


Of all the photography commercial photographers shoot, the white seamless background is the most common. It’s definitely a fashion photography mainstay. A white cove, or “cyc” (short for cyclorama) in a larger studio, is booked at our north Dallas rental photo studio 20 times more often than any other studio, and provided seamless papers in varying colors are only used about 10% of the time. Why is this so popular? Quite simply because it’s easier to drop out the background in your images if you are dropping the subject into a print layout. Catalogs and the like will often feature text wrapped around a subject, and current design trends favor a subject blending in with the page rather than being constrained by a box. Likewise a baseboard on a background wall would be distracting when the focus of an image is on a model or clothing.

Carolina Guanabara by William Morton. Makeup/Hair/Styling by Mary Erickson.

Since fashion and catalogs often show an expressionless model “just standing there,” as some describe it, some feel that a white seamless background looks plain. There’s no color, no texture, and essentially nothingness. If the photographer doesn’t light the white background it can look like a shade of gray (as pictured here). This example shows the model “in a box,” which a designer may not want in the layout as compared to the example above. But either way you still have a subject. And a subject doesn’t have to “just stand there.” You can always concentrate on bringing out the model’s personality and featuring it.

Below are a few examples of images we’ve captured on a plain, boring white seamless background. The background of these samples have been adjusted so as to not “float in midair,” so that you can see the image frames. Adjusting for the effect of the top image (of the two young models) in this post is easily achieved in processing. As you can see, once the photographer has built rapport with the subject or subjects, they can collaborate to create some fun, interesting images.

Cassie Kociemba jumps for joy (on white seamless)
The St Johns get interactive
Tony Mandarich shows a little humor with his girlfriend on a white seamless background

 

What can you think of doing with a “plain white background?” White seamless can work with anything that ties in with your job, activities, or interests – or anything that is “you.” And it can help make your images much more dynamic. And dynamic images sell!

Have some ideas? Leave a comment! Want to talk about how Morton Visuals can help you look dynamic? Give us a call! We’d love to show you what we can do.

What are your thoughts?

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